The deadline to enter the 2018–2019 Jackier Prize Competition is fast approaching!
Are you a U-M undergraduate interested in archaeology, ancient history, or museum studies? Do you fancy a little extra pocket money? If you answered “yes” to both these questions, consider entering the Jackier Prize Essay Competition!
What is the Jackier Prize Competition?
Every object has a story to tell about the people who made it and those who used it or gave it value. The Jackier Prize Competition provides an opportunity for U-M undergraduates to explore and discover the stories behind the objects at the Kelsey Museum of Archaeology. The competition is open to any undergraduate from any discipline at U-M. The essays that best demonstrate excellence in archaeological research will be awarded a cash prize, made possible by the generous donation of U-M alumnus Lawrence Jackier and his wife Eleanor.
How can I enter the contest?
Submit a five- to ten-page essay that examines an object or objects in the Kelsey Museum. This can be a paper you have already written for a class or one written specifically for this contest. You may choose an object on display or one from collections storage. The subject matter of the essay may vary, but the essay needs to reflect careful research.
Submissions are due by 8 a.m., Monday, January 28th. Up to five winners will announced in mid-February 2019.
The Jackier Prize will be presented to the winners at a ceremony in early April 2019. Each winner will also receive a collection of Kelsey Museum publications and will have the opportunity to participate in the creation of a museum exhibit featuring the objects written about in the winning essays.
Ready to submit your essay?
Submit your essay via email to Jackier.Prize2019@umich.edu. On the first page of the essay, please provide the title of the essay, a picture(s) of the object(s) discussed in the essay, and your name and email address. You will receive an email within 48 hours confirming that the essay was successfully submitted.
Need more information? Get the full submission details here.
The primary purpose of the Kelsey Museum archives is to document the activities of the Museum and capture history that will inform future research. Scholars visit the Kelsey archives to find information relating to excavations. When they want to know, for example, the measurements of the walls at Karanis, or the findspot for that certain vase from Seleucia, or when the excavation team was at Lahoun, they will peruse the records in the archives. Kelsey staff often use the archives to learn how older exhibitions were mounted, how certain artifacts were displayed, or what font was used in an exhibition 30 years ago. This history proves invaluable to the work that takes place at the Kelsey every day.
One of the pleasures of working in archives is finding information that was captured as a memento, but not meant to further research. These are snapshots of life — lectures and parties, events where people came together to socialize. These images will not likely be featured in any publication, nor will researchers from across the world ask to see them. But they remain an interesting view of a time long past, where friends we know, or knew, can be seen in another era.
For this month’s “From the Archives,” we present some random photographs found years ago in the archives. They were never included in our archival photographs database, so identification proved problematic. However, they were seen as being too valuable to the Kelsey’s history to just set aside and forget. Former Kelsey Museum director John G. Pedley (director from 1973 to 1986) sat down recently with the Registry to help identify the people and events in the photos. As a result, we were able to put faces to names, and keep the memories of these people alive. These photographs have now been accessioned into the archives database, and when people come to the Kelsey to do research, these images will be available to them.
With Professor Pedley’s assistance, we now know what events are captured in these photos, and and who attended them. We see here many Kelsey stalwarts such as John Pedley, James Mason, and Ted Buttrey attending lectures and receptions, and — in several photos — the retirement party for James Mason, who was responsible for building many of the Kelsey exhibition cases in years past. But one figure, Donald White, appears in all the images, and he is the catalyst for showing these photographs at this time. On November 21, Professor White passed due to injuries sustained in a car accident. He was 83. From 1963 to 1973, White taught at the University of Michigan. He then left to embark on a 30-year career as professor of classical archaeology at the University of Pennsylvania and curator of the Mediterranean section at the Penn Museum. While at Michigan, and continuing at UPenn, White was involved with the excavations at the Libyan sites of Apollonia (1965–1967) and Cyrene (1969, 1971, 1973–1981). More can be learned about these excavations in the Kelsey Museum publication In the Field (Talalay and Alcock, 2006).
It is a sad moment when a friend of the Museum passes. However, we are better off for having had Professor White spend time at the Kelsey. He will be missed, but his work carries on. And these photographs interspersed within our archives will ensure that we at the Kelsey will continue remember him.
As many of our friends have noticed, there is a lot of construction happening around the Kelsey Museum. To the north, the Trotter Multicultural Center is creating a new home for itself. To the south, LSA is expanding in order to house the Opportunity Hub. Both of these are exciting projects that will pay dividends for the Kelsey, with new guests and neighbors we can partner with, bring to the Museum, and be friends with.
The construction around us speaks to the long and constantly changing history of the U-M campus. For years, we have become accustomed to our neighbors: the trees to our north and LSA to our south. But as we have seen around campus, nothing remains the same for too long.
For this month’s “From the Archives,” we present two photographs showing how Newberry Hall appeared in the early 1900s, when it was still the future home of the Kelsey Museum (the Kelsey occupied Newberry Hall in 1928). In these photographs, taken by George R. Swain, Newberry Hall had different neighbors. To the north, trees and the Helen Newberry Residence, which still stands. To the south, a house — though not much in the photos gives us any clues about it, or indeed if it was a house at all.
For people who have been working at or visiting the Kelsey for years, the surprise lies to the west. Where Upjohn is now there used to be a parking lot, big enough for 20 cars. However, in these photos, particularly M8.1087, we see the structure that the parking lot replaced. It looks like a house, though no further information accompanies these images.
Through word of mouth, there have been suggestions that gas stations also used to be near the Kelsey, but we do not see that in these images.
Spend enough time on the U-M campus and you will notice much construction throughout the area. It seems the University is constantly expanding and changing. Going through the archives and photographs, we begin to understand that this is not new. Changes have been happening since U-M arrived in Ann Arbor. And it is safe to say changes will continue for many years to come.
In the coming months, the Kelsey Museum is going to be seeing some changes to our neighborhood. The new Trotter Multicultural building as well as the expansion of LSA for their Opportunity Hub will both be commencing shortly. Normally, any construction is nerve-wracking for museums, as vibrations can cause deterioration to artifacts. With this activity being so close to the Kelsey, we will be seeing even more potential movement in the galleries and storage. Throw on top of all this the fact that there will be construction on two fronts, so vibrations will be steady and ongoing for a long period of time.
Small and big vibrations will cause artifacts to move, but the shaking can cause flaking and other breaking to occur. If you wander the galleries and see something amiss, please inform security or notify museum staff if they are in the galleries at the time. Fortunately, the Kelsey is staffed by high caliber professionals who are already on top of this, and have a plan to mitigate the situation. Thanks to them, we expect to see no damage during this construction period.
For this month’s “From the Archives,” we look back when the opposite situation was taking place. Back in 2007, the Kelsey was undergoing its own construction. This project affected our neighbors, the students living in Newberry and Barbour Residences, as well as our colleagues in LSA. For the Kelsey, this was a long time coming, as calls for a new building for the collections had been written decades before. Finally, in 2009, the doors at the William E. Upjohn Exhibit Wing opened to the public, the culmination of several years’ worth of work.
Those who have been with the Kelsey Museum for a long time will remember that the space where Upjohn is now was a parking lot. About 20–25 cars could fit here, often for staff of the residences and the Kelsey. Much to the chagrin of several people who enjoyed parking close to work, the lot was removed and the new wing went up instead.
Images shared here show the construction at different phases. While construction was underway, Collections Manager Sebastián Encina went around photographing the progress from various angles, including the roof of LSA, the Student Activities Building, the former Kelsey archives room, even street views. We are now fortunate to have this collection of images that encapsulate a portion of our own history. It reminds us how much work goes into the planning and actualization of a construction project. At the time, it was difficult to imagine what the end result was going to look like. Now, ten years later, we have a whole history in this building already, many stories shared, many names and voices passing through.
“I am very pleased to announce that Terry Wilfong has generously agreed to serve as Director of the Kelsey Museum of Archaeology effective June 1, 2017 through June 30, 2020.”
With these words, LSA Dean Andrew Martin announced to the Kelsey Museum community that Professor Terry Wilfong, longtime curator of Graeco-Roman Egyptian Collections at the Kelsey Museum, would assume the responsibilities of Museum director. Terry follows a long line of distinguished directors of the Kelsey Museum. Each director furthered the mission of the Museum in their own right, making the institution stronger and a greater presence on the University of Michigan campus and around the world. Without each of these strong leaders, the Kelsey would not be the institution it is now. To each of these we owe a great deal of gratitude.
In honor of the news and Terry’s appointment, this month’s “From the Archives” presents this black-and-white image from the 1990s, though no date is associated with the image. It was found during routine cleaning in the archives. Its appeal as history of the Museum and its staff made it an easy addition to the photographic archives (KAP00007).
In the image, we see Dr. Wilfong, perhaps not long after he was hired by the University of Michigan as professor and curator. He is standing in front of the some displays we had in Newberry Hall, long before the Upjohn Exhibition Wing was even dreamed up. In those days, the Kelsey was constricted in exhibition space and possibilities.
Since this photograph was taken, there have been many changes. The Museum has a new building, our staff has grown in numbers, and our reach has expanded with more exhibitions and outreach and excavations. Terry has earned tenure, reached the level of full professor, and now is director. Both have grown together, and much of the Kelsey’s success during that time can be attributed to Terry’s efforts. With Terry’s directorship, we are excited about the upcoming years.